Tous décèlent dans l’œuvre de ce « Giotto moderne » … Some of the outstanding acquisitions made by these museums in the twenties, thirties and forties owed their rediscovery to the extraordinarily sensitive 'Brummer eye'. had liked it and planned to hang it in a good position. fantasie, avec les changements d'echelle, les 'erreurs' de proportions, les invraisemblances de mise en place, il aboutit à une cohérence His enthusiasm for his subject stretched beyond dealing in its artefacts to organising pioneering exhibitions of tribal art in construction. Shchukin Collectio . Pendant ce It is a mistake to think of such a setting as merely a decorative convention to fill space. labour. Marie Laurencin, Groupe d'artistes (de gauche à droite : Pablo Picasso, Marie Laurencin, Guillaume Apollinaire et Fernande Olivier), huile sur toile, 1908 (The Granger Collection, New York) Apollinaire … The mask-like hieratic features of Brummer's face, rendered with tremendous finesse, resemble to some extent the African sculptures in which he dealt. celebrated "Banquet du Douanier Rousseau" in honour of Rousseau at his studio in Le Bateau Lavoir in November 1908. urgency to complete it since he intended to exhibit the picture at the Salon des Indépendants. Douanier Rousseau, La Muse inspirant le Poète. Henri Rousseau - Le Douanier Rousseau Paysage au manoir 1895 '''La Guerre'' dit aussi ''La Chevauchée de la Discorde'', 1894, Henri Rousseau dit Le Douanier Rousseau, Musée d'Orsay, Paris, France, Europe. "Many art objects were obtained for the Metropolitan (over 400 objects), The Cloisters, the Louvre and other leading museums in America and Europe. Le grand coloriste, il va de soi, le dispensa de cette besogne, et l'admit gracieusement parmi ses élèves" (op. Apollinaire hat Henri Rousseau den „Uccello unseres Jahrhunderts“ genannt. As the other picture being exhibited was La Muse inspirant le Poète, portraying the well-known Apollinaire and Marie Laurencin, it was natural that Brummer's portrait should receive less attention in the as usual less than complimentary notices in the press reviews. The renown of the Brummer Gallery for handling works as diverse as sculpture, metalwork and carvings from classical antiquity until the Modern period spread far and wide and the links with major museums were always close. Between the Wars when his gallery was established in New York, Joseph Brummer was instrumental in shaping the collections of celebrated collectors such as Frank Burty Haviland, W. Randolph Hearst, Bradley Martin, Greville Winthrop, Henry Walters and many others. Apollinaire Le douanier Rousseau. Rousseau's own exotic iconography was one of the features that attracted the young avantgarde artists of the first decade of this century during their drive towards modernism. It appears that the picture was painted in the spring of 1909 in He wrote a poem on a napkin and recited it to Rousseau’s glee. Other guests were Leo and Gertrude Stein, Braque, Max Jacob, Apollinaire, Laurencin, Salmon, Raynal and many others. Others present included Brummer, Apollinaire, Delaunay, Soffici, Picasso, Vlaminck, Brancusi, Laurencin, Salmon, Wilhelm Uhde, Serge Férat, Felix Fénéon and many others. Joseph's initial Commencez votre journée en découvrant une œuvre d'art ! Télécharger cette image : Henri Rousseau (Le Douanier Rousseau), le poète et sa muse (Guillaume Apollinaire et Marie Laurencin), Paris, 1909, huile sur toile. Né à Laval dans une famille pauvre, Henri Rousseau s’engage dans l’armée. While still preserving the effect of precise detail Aujourd'hui, avec le Rêve, une icône du Surréalisme, partez en exploration dans les jungles imaginaires du Douanier Rousseau, mort le 2 septembre 1910. Having the appearance of a theatrical backdrop the background foliage is a creation of Rousseau's imagination designed to complement the character of the sitter and to suit the compositional structure of the picture. It was for Apollinaire the qualities of his work that made his painting "so charming to look at". His work had been exhibited alongside the Fauves at the Salon d'Automne in 1905 and in 1907 he met the collector and critic Wilhelm Uhde who would write an influential monograph on Rousseau in 1911. Rousseau was in some Brummer was responsible for introducing Apollinaire and Paul Il Il se rend ensuite à Paris et rêve de devenir peintre. multiplie les contrastes en additionnant les gammes de vert d'une somewhat simplistic and contributory in part to the myth-making with At the end he was completely in command of his Sa tombe est à Laval dans le jardin de la Perrine. In the twenty years preceding the Brummer portrait, Rousseau perfected his technique and artistic conception so that this masterpiece represents the culmination of his portraiture, and draws together the various strands of his art into a distillation which was influential for his avantgarde contemporaries and for subsequent generations of artists. Télécharger cette image : Henri Rousseau (Le Douanier Rousseau), le poète et sa muse (Guillaume Apollinaire et Marie Laurencin), Paris, 1909, huile sur toile. The fauteuil de rotin on which Brummer is seated was part of the furnishings of Rousseau's studio and had been there Facebook. the purely instinctive and observational art of Impressionism. By 1908 Rousseau had become a celebrated figure in the Montparnasse 2 mai 2018 - Cette épingle a été découverte par Nathan Labat. This limited repertoire of visual signals was gradually Douanier Rousseau - Un pittore nella giungla. sur sa toile, les réduisant à la dimension du chassis. Sitting for Rousseau was an unusual event as Apollinaire was to recall, "J'ai posé un certain nombre de fois chez le Douanier et avant tout Henri Rousseau, Le Rêve 1910, huile sur toile, 204,5 x 298,5 cm, New York, The Museum of Modern Art / Henri Rousseau. Indépendants jury had seen it by then, Rousseau knew that they d'Avignon period Rousseau remarked, "You, Pablo and I are the two While he was too poor to enrol in formal lessons Rousseau always had a healthy respect for the traditions and teachings of the Salon artists. I in the modern style" --Guillaume Apollinaire and Robert Delaunay. performances of music and theatrical excerpts by those present. His work had been exhibited alongside the Fauves at the Salon d'Automne in 1905 and in 1907 he met the collector and critic Wilhelm Uhde who would write an influential monograph on Rousseau in 1911. essaying modern subject matter in a personal rather than a primitive The evening was a symbol of the respect Rousseau engendered amongst the poets, artists and collectors of the Montparnasse circle. Picasso collected several works by Rousseau and was later to call the Portrait de Femme (Certigny 75) which he owned, "une oeuvre de penetration, de décision et de clarté françaises...l'un des portraits psychologiques français les plus revélateurs." modern." Few artists had been mocked during their lifetime as Rousseau, and even fewer had faced with equal calm the hail of insults. When Rousseau exhibited this portrait of Joseph Brummer at the Salon des Indépendants in 1909 he termed it a "portrait-paysage", a genre which Rousseau had initiated with his famous Moi-même, portrait-paysage self-portrait (Certigny 45) which he painted in 1890 and with which he announced to the world his ambition to be considered a grand master of modern painting. Henri Rousseau (1844–1910) fut un peintre autodidacte, souvent qualifié de naïf et moqué par ses contemporains, mais admiré par les avant-gardes du XXe siècle. Son inspiration provient surtout de livres illustrés, de jardins botaniques et rencontres avec des soldats ayant participé à l'intervention française au Mexique. » La muse et le poète » 1909 – le DOUANIER-ROUSSEAU. La mia lista Condividi. Henri Rousseau, byname le Douanier (French: “the Customs Officer”), (born May 21, 1844, Laval, France—died Sept. 2, 1910, Paris), French painter who is considered the archetype of the modern naive artist.He is known for his richly coloured and meticulously detailed pictures of lush jungles, wild beasts, and exotic figures. La muse inspirant le poète est un double portrait de Guillaume Apollinaire et de sa muse Marie Laurencin, réalisé en 1909 par le Douanier Rousseau. For Delaunay it was Rousseau's powers as a colorist Precedents for the pictorial juxtaposition of animals with jungle or exotic locations could be found in the art of Bresdin, Delacroix, Gérome and Ingres, all artists whom Rousseau admired and wished to emulate. Supplément au voyage de Bougainville, chap. In his portrait-paysages the model, often seen full-length, is rendered with great clarity and placed against a landscape background which is generally appropriate to the sitter in both nature and sentiment, and complementary to the pictorial structure of the composition. ne copie pas l'effet extèrieur d'un arbre; il crée un ensemble since at least 1906 when Rousseau himself was photographed seated on it in front of Les Joyeux Farceurs (Fig. (op. Taxé de naïf, il n’en est pas moins admiré par les avant-gardes parmi lesquelles Pablo Picasso – collectionneur de la première heure – ou Guillaume Apollinaire. Rousseau also asked Brummer to come to the vernissage with him on 25 March, two days later. Brummer did not keep his portrait for more than three years as he left Paris in 1912 to go to New York to open an art gallery which was later to become world famous. cit., p. 586). 106-107). Inspired by his vision he arbitrarily rewove the appearance of nature On 23 March, Rousseau asked Brummer for the money to pay for the frame and stated, "Ton portrait a du succès déjà". Instagram. style...Rousseau's technique has now become free and without apparent Shchukin Collectio 'Portrait de femme', 1895, Le Douanier Rousseau (Henri Rousseau, dit), Picasso Museum, Paris, France, Europe. Giorgio de Chirico, Portrait de Guillaume Apollinaire, 1914, Centre Pompidou, Paris. Henri Rousseau, dit Le Douanier Rousseau, La Muse inspirant le poète (Guillaume Apollinaire et Marie Laurencin) 1909, huile sur toile, (146 cm x 97 cm), Musée des Beaux-Arts de Bâle. « Modeste employé des douanes Henri Julien Félix Rousseau, dit Le Douanier Rousseau (1844-1910), autodidacte devenu peintre sur le tard, célébré par Alfred Jarry, Apollinaire, Picasso, Robert et Sonia Delaunay, ou Kandinsky, est aujourd’hui reconnu comme l’une des figures les plus originales de l’art de la fin du XIXème et du début du XXème siècle. who was short of money to pay for the lessons, came up with a novel renting a shop at 6 Boulevard Raspail where, alongside the familiar Japanese prints, he displayed the objects of his new passions - African and Oceanic "primitive" sculpture and a few pictures by the "new primitive" Henri Rousseau. For Joseph Brummer it was primarily the exotic qualities in The image of Rousseau, the retired "customs officer", as a self-taught Sunday painter was propagated initially by Apollinaire. Il fut surnommé le « Douanier » en raison de sa profession, bien éloignée du monde de l’art. September 1910 in Paris) war ein autodidaktischer französischer Maler, dessen Stil dem Postimpressionismus und der Naiven Kunst zugeordnet wird. Spesso classificato come un artista naïf, è stato uno dei precursori dell'arte moderna e ispirazione per molti artisti tra cui Picasso, Apollinaire, Delaunay, Kandinsky, Ernst e De Chirico. of Brummer's portrait which is displayed alongside the still unfinished second version of La Muse inspirant le Poète (Fig. in La Muse inspirant le Poète, "la preuve de ton tableau plait, Laisse passer nos bagages en fraude à la porte du ciel. D. Catton Rich wrote that Rousseau's portrait of Joseph Brummer, "one of the last he did, shows his friend and dealer seated in a wicker chair before a background of trees, closely allied to the extravagant foliage of the jungles. Le Douanier Rousseau – nommé ainsi en raison de son emploi à l’octroi de Paris – est fasciné par le décor du Jardin des Plantes, qui lui inspire à partir de 1890 les jungles qui feront sa renommée. style. Cette exposition souhaite explorer l’univers mental et esthétique d’Apollinaire à travers un parcours thématique : du Douanier Rousseau à Matisse, Picasso, Braque ou Delaunay, du cubisme à l’orphisme et au surréalisme, des sources académiques à la modernité, des arts premiers aux arts populaires. of conception. cit., p. 64). admired. Osthaus. temps, pour me récréer, car il est bien ennuyeux de poser, Rousseau me chantait les chansons de sa jeunesse." Mais, pour gagner sa vie, il exercera un autre métier jusqu’en 1893. formed the remarkable collection of Negro art assembled by Karl Ernst Peinture : 3000-2600000 € Dessin : 3000-140000 € Estampe : 20-3600 € Sculpture : 18500-130000 € Si vous souhaitez faire estimer une œuvrede Le Douanier Rousseau, nos experts s’en chargent. Guillaume to tribal art, he also sold Greek sculpture to Rodin and (Henri Rousseau, New York, 1946, p. 55). Immediately Brummer became one of the first (and one of the very few) dealers or collectors to buy pictures directly from Rousseau. Rousseau himself did not Il apprend lui-même la peinture et produit un grand nombre de toiles, elles représentent souvent des paysages de jungle, lui qui n'a pourtant jamais quitté la France. On 6 Rousseau (completed by 1912 but not published until 1915). recitals." The 1890s saw a reaction against Henri Rousseau, le Douanier, avait proposé à Apollinaire de réaliser son portrait. between the two versions of Rousseau's other great portrait picture of the period La Muse inspirant le Poète (Certigny 274, Puschkin Sa tombe est à Laval dans le jardin de la Perrine. In Blasco Alarçon's later picture of the event, the Rousseau picture owned by Picasso is displayed in a prominent position over the thronelike chair reserved for Rousseau. Henri Julien Félix Rousseau dit le Douanier Rousseau, né le 21 mai 1844 à Laval et mort le 2 septembre 1910 à Paris, est le plus célèbre représentant des peintres naïfs. aesthetics of African art, Neger plastik by Carl Einstein suggestion; "Pour pouvoir travailler d'après le modèle à l'Academie Matisse il proposa, en paiement, de balayer l'atelier. Henri Julien Félix Rousseau, genannt Le Douanier (* 21. Le poète Guillaume Apollinaire a tracé sur la dalle des vers qui seront ensuite gravés par Constantin Brancusi : Delaunay, sa femme, Monsieur Quéval et moi. Apollinaire was there with the artist, Marie Laurencin. La Muse inspirant le poète est un double portrait de Marie Laurencin et Guillaume Apollinaire peint par Henri Rousseau en 1909.Un temps la propriété de Paul Rosenberg, cette huile sur toile est aujourd'hui conservée au Kunstmuseum Basel, à Bâle, en Suisse.. Postérité. (116 x 88.5cm.) In contrast, Rousseau saw himself as a completely modern artist J.-L. Nous t'apportons des pinceaux, des couleurs et des toiles. ("The Brummer Brothers: An Instinct for the Beautiful", Art News, New York, Oct. 1974, pp. (Primitivism in 20th Century Art, New York, 1984, p. rapports inégaux. Le tableau est reproduit à la page 53 du numéro du 15 janvier 1914 des Soirées de Paris. remarked of Cézanne's pictures, "You know, I could finish all these Son œuvre très ambitieuse, qui recouvre aussi bien le genre historique que le portrait et le paysage, est peuplée de visions exotiques dont la poésie a séduit des personnalités comme André Breton, Pablo Picasso, Alfred Jarry ou Félix Va… Il fait payer des taxes sur les marchandises qui entrent dans Paris, comme cela se fait à l’époque. This was probably in 1908. which Apollinaire built up the public conception of Rousseau as the Dans la consécration du Douanier Rousseau, artiste dit « naïf », un rôle déterminant a été joué par un petit groupe d’avant-garde : Guillaume Apollinaire, André Salmon, et plus largement les artistes gravitant autour de l’atelier montmartrois de Picasso, le Bateau-Lavoir. Afin que tes loisirs sacrés, dans la lumière réelle. Rousseau never went to Mexico (another of Apollinaire's myths), he relied on visits to the Jardin des Plantes in Paris and on his own imagination to create his jungle fauna. the great Cézanne memorial exhibition of 1907 at which Rousseau With Rousseau’s Portrait of a Woman in full view, Rousseau was seated on a make-shift thrown while a raucous party took place. Twitter. March Rousseau wrote to Guillaume Apollinaire, the model for the poet In 1974 there was an exhibition of the Brummer Collection at the Metropolitan Museum. I, « Comment le prieur de Notre Dame de la Montagne et Mademoiselle sa sœur rencontrèrent un Huron », p. 116-117 Analyse d’image : Henri Rousseau (dit le douanier), Forêt vierge au soleil couchant ou Nègre attaqué par un léopard, p. 144. Brummer was there and it is tempting to identify him as being seated four to Rousseau's left. Henri Julien Félix Rousseau dit le Douanier Rousseau, né le 21 mai 1844 à Laval et mort le 2 septembre 1910 à Paris, est le plus célèbre représentant des peintres naïfs. This device recalls Rousseau's earlier portrait of Pierre Loti (Certigny 233) where the elements appear more anecdotally disparate than in the more harmonised sense of monumentality which permeates the Brummer portrait. these canvases are mostly finished in a broad painter-like stroke." artistic conception was perceived as being closely allied in spirit. to suit his purpose. content to humour such an elderly novice. Henri Julien Félix Rousseau, dit Le Douanier Rousseau, La Muse (Marie Laurencin) inspirant le poète (Guillaume Apollinaire), 1908-1909, huile sur toile, Moscou, musée d’État des Beaux-Arts Pouchkine. In later years, Brummer was still excited by the picture and remarked "Jamais une oeuvre d'art ancienne ou moderne, n'est passé entre mes mains, qui surpassat cette qualité de noirs." He made some 26 jungle pictures in all, mainly executed between 1904-1910. Less fortunate when it came to exhibits or selling his own paintings (we cannot count the anecdotes revealing the insignificant value, for a long time, acquired when they were taker, for a few francs) Henri Rousseau (aka Douanier Rousseau) finds himself in the big leagues: Delaunay, Kandinsky, Apollinaire, Picasso among his supporters and friends. Hungarian by birth, Joseph Brummer (1883-1947) arrived in Paris in the first years of this century to pursue a career as a sculptor. Henri Rousseau (Le Douanier Rousseau), The poet and his muse (Guillaume Apollinaire & Marie Laurencin), paris, 1909, oil on canvas. Tu les consacres à peindre, comme tu tiras mon portrait. Rousseau il Doganiere è soprattutto conosciuto per le sue giungle. success in handling tribal art in Paris was considerable. Perhaps this recollection is exotic sculptures of African tribal art and the archaic forms of avantgarde circles. Chtchoukine Collectio - M91ANR depuis la bibliothèque d’Alamy parmi des millions de photos, illustrations et vecteurs en haute résolution. (Certigny, op. Henri Rousseau, le Douanier, avait proposé à Apollinaire de réaliser son portrait. 2015 Francia. Découvrez vos propres épingles sur Pinterest et enregistrez-les. 143). Although this aspect also brought him the label of being a primitive, and therefore apart from the avantgarde circle, he was actually very much in the mainstream of post-impressionist developments. II « Les adieux du vieillard », p.142-3 Voltaire, L’Ingénu, Chap. It was Picasso who gave the Paris, Les Grandes Serres de l'Orangerie. When his Hab… cit., p. 586). Brummer posed for his portrait during February-March 1909 in Rousseau's studio at 2 rue Perrel. Passing references were made by Eon who referred to Rousseau showing, "portraits chaotiques" and by Lestranges who noticed, "délirants portraits d'une naiveté si cocassé." Rousseau's art that appealed, "Pour ce Magyar [Brummer], le Douanier Issu d’une famille modeste, il a pendant toute sa vie eu du mal à trouver sa place au milieu de la scène artistique contemporaine. richesse qui atteste sa connaissance quasi-scientifique du métier." Like Gauguin, Rousseau came to full-time painting late in life in 1885, at the age of forty. care for tribal or classical art but his simplicity and innocence of The post-impressionists sought greater self-expression in their art and also a more cerebral and formal pictorial construction. "Rousseau réinventé sa flore, et ne fournit en aucune façon la description d'un paysage plausible. Occasionally a retouching shows where he has altered a branch or inserted a leaf but the sureness of execution matches the sureness It is likely that Brummer met Rousseau through the agency of Max Weber, a fellow student at La Grande Chaumière. D. C. Rich observed, "his approach was far from literal. In 1908 he put the first profits of his dealings into « Modeste employé des douanes Henri Julien Félix Rousseau, dit Le Douanier Rousseau (1844-1910), autodidacte devenu peintre sur le tard, célébré par Alfred Jarry, Apollinaire, Picasso, Robert et Sonia Delaunay, ou Kandinsky, est aujourd’hui reconnu comme l’une des figures les plus originales de l’art de la fin du XIXème et du début du XXème siècle. Dans la consécration du Douanier Rousseau, artiste dit « naïf », un rôle déterminant a été joué par un petit groupe d’avant-garde : Guillaume Apollinaire, André Salmon, et plus largement les artistes gravitant autour de l’atelier montmartrois de Picasso, le Bateau-Lavoir. pictures." » En 1910 Henri Rousseau vend des tableaux pour plus de 1 000 francs et peut acheter son propre atelier à Paris. preoccupation with high surface finish, minute precision and rigid Mai 1844 in Laval; 2. The insouciant manner in which Brummer holds his cigarette in his right hand adds a bohemian element to the general air of shrewd respectability Brummer radiates. Classical Egyptian, Grecian or Roman art. Le Douanier Rousseau – nommé ainsi en raison de son emploi à l’octroi de Paris – est fasciné par le décor du Jardin des Plantes, qui lui inspire à partir de 1890 les jungles qui feront sa renommée. He tried to acquire works over a period of several years, and finally succeeded in buying one that became famous: La Carriole du Père Junier [Junier’s Cart]. As only the Partant d'éléments qu'il dispose à la Joseph Brummer also indulged his passion for modern painting by bringing to the New York gallery during the twenties and thirties exhibitions by Brancusi, Derain, Laurens, Matisse, Rouault and Seurat. own "soirées familiales et artistiques" which became a regular However, it is certainly correct to state that Rousseau took great care in arranging his models and in selecting the pictorial setting. While the Brummer portrait cannot be considered a jungle picture it is interesting that as a background for the "art nègre" dealer Rousseau has selected a rich tapestry of variegated trees, foliage and fauna. Apollinaire connaît le succès en 1910 avec un recueil de contes étranges intitulé l’Hérésiaque et Cie, puis avec Le Bestiaire ou Cortège d’Orphée en 1911. greatest artists of the age, you in the Egyptian style and I in the A contemporary photograph shows Rousseau standing proudly, palette in hand, in front corps tout entier, et ces mesures, il les transporta fort exactement The decidedly frontal pose of Joseph Brummer in this picture and the unusual device of portraying the sitter full- length on a chair, was perhaps inspired by Cézanne's portrait of Achille Emperaire (Musée d'Orsay, Paris) which Rousseau saw at Alfred Jarry, born like Rousseau in Laval, was the first to call Rousseau a primitive and saw distinct parallels in his art with the works of the Italian and Flemish pre-Renaissance primitive artists. In Paris he left the gallery at Faubourg St. Henri Rousseau est né en 1844 à Laval. developed into a highly personal style which set Rousseau apart from Apollinaire made clear the great esteem held by the Cubist painters for his works, calling Rousseau the "Inhabitant of Delight". Museum, Moscow; and Certigny 277, Kunstmuseum, Basle). Les noirs brillent et vivent dans les milliers de verts qui se groupent en formant arbres, taillis, forêts. “You recall, Rousseau, the Aztec landscape the forests where mango and pineapple grow. Cela lui vaut le surnom de « douanier ». The image of Rousseau, the retired "customs officer", as a self-taught Sunday painter was propagated initially by Apollinaire. Apollinaire est également un critique d'art et fut parmi les premiers défenseurs de l'œuvre de Rousseau caractéristique de l'art naïf. France, Alpes Maritimes, Cap … The evenings consisted of a relatively spartan banquet at which the invitees were formally seated, followed by short and varied lumière qui agissent sur l'oeil comme des couleurs prismatiques en